Soft Boil — six minutes, and you cannot get it wrong

This is a submission for Frontend Challenge - Comfort Food Edition, CSS Art. Inspiration My other two entries were about a moment and a ritual. This one is about the opposite: the dish you fall back on when you have no skill, no energy and no plan. Boiled eggs are what you make when you cannot cook. Six minutes, one pan,and the comfort is precisely that it is not possible to get it wrong. Two choices made it worth drawing rather than just worth eating. A glass bowl, so you can see the boil. In a steel pan the interesting half of this is hidden. Glass also turned out to be the exact opposite problem to the terracotta in my chai piece — unglazed clay is matte and forgives a sloppy gradient, glass shows you every single one. An induction hob, for the light. I finished the fridge piece saying the one piece of advice I'd give is pick a scene with a light source in it. So I did it again on purpose. The element ring is the only warm thing in an otherwise cold grey kitchen, and it lights the water from underneath. Everything here is a div, a gradient or a shadow. No SVG, no images, no canvas. Demo Press Turn off the heat and give it a few seconds. The ring dies back, the bubbles thin out, and the eggs slowly stop moving — then put it back on and watch the pan come to the boil in stages. That build-up is the part I'd most like you to see, and it's the whole subject of this post. Journey Nothing in this picture is transparent The obvious way to draw a glass bowl is backdrop-filter. I'd advise against building a picture on it — support is uneven enough that the piece falls apart somewhere, and it's expensive. So the transparency is painted. The water is drawn first as its own element, and then a front wall of highlights sits over the top of it: two vertical speculars down the sides for the curve of the glass, a soft wash across the middle for the thickness of the pane, and a rolled lip at the top, which is the one place glass is genuinely opaque enough to draw as a solid. .glass { background: linear-gradient(101deg, rgba(255,255,255,0.20) 0%, rgba(255,255,255,0.00) 13%, rgba(255,255,255,0.07) 47%, rgba(255,255,255,0.00) 84%, rgba(255,255,255,0.17) 100%); } Read .glass as the pane you are looking through. Everything that lives in the water is a sibling behind it, clipped by the water's own border-radius, so no egg can drift out through a wall however hard it gets shoved. An egg is an ellipse with two border-radius axes — fatter at the bottom than the top. Worth doing that rather than reaching for clip-path, because a border-radius shape stays correct under rotate and an equivalent polygon does not. border-radius: 50% 50% 50% 50% / 62% 62% 38% 38%; Two numbers run the entire picture This is the part I'd keep from the whole build. The scene has a switch, and my first version was symmetric: turn it off and everything faded out, turn it on and everything snapped back to a full rolling boil. Which is nonsense. A pan does not do that. Heat has to arrive before the water can boil, and the water has to boil before it can move an egg. Getting that lag right meant the picture needed to be a quantity, not a state. So it runs on two numbers: @property --heat { syntax: ''; inherits: true; initial-value: 1; } @property --amp { syntax: ''; inherits: true; initial-value: 1; } --heat is how hot the element is. --amp is how hard the water is throwing the eggs about. Both 0 to 1. @property is the whole trick. An unregistered custom property is just a string, and a string cannot be transitioned. Registered as a it interpolates like any other animatable value — so a single transition drives the ring, the bubbles, the churn, the steam and the eggs together: .scene { --heat: 1; --amp: 1; transition: --heat 4s ease-in, --amp 7s cubic-bezier(0.4, 0, 0.5, 1) 2.6s; } --amp doesn't start for 2.6 seconds, so there's a real stretch where the ring is glowing and the eggs still haven't moved. Every element then just reads the number. The ring grows and warms in colour at the same time, because a cold element doesn't light up dim-orange — it lights up a small sullen red and spreads outward as it takes: transform: translateX(-50%) scale(calc(0.22 + 0.78 * var(--heat))); filter: blur(0.5cqw) brightness(calc(0.34 + 0.66 * var(--heat))) saturate(calc(1.9 - 0.9 * var(--heat))); The bubbles each carry their own threshold, spaced by index, so they arrive a few at a time instead of all at once: --vis: clamp(0, calc((var(--heat) - var(--i) * 0.062) * 7), 1); Since the positions are scattered independently, the first few appear in random places — it reads as a pan starting to catch, not as a row filling up left to right. The surface churn holds off entirely until --heat clears 0.55, because a surface only breaks at a genuine rolling boil. Cooling is not warming played backwards, so the timings differ by direction. Going off, the boil drops away first and the element stays warm after it, the way a hob actually behaves. It's also slower overall — pans lose heat more reluctantly than they gain it. .scene.is-off { --heat: 0; --amp: 0; transition: --amp 5s ease-out, --heat 6.5s ease-out 1s; } An animation beats a declaration, silently I hit this twice in one build, the second time after I thought I understood it, so it earns its own heading. If an element has a running animation that touches opacity, then any opacity declaration in your rule is ignored. Not overridden at some specific moment — ignored for the entire duration. Animations sit above normal declarations in the cascade. Which meant this did precisely nothing: .hob__ring { opacity: calc(0.92 * var(--heat)); /* dead code */ animation: ringPulse 3.4s ease-in-out infinite; /* ...because of this */ } The ring pulsed away at full brightness with the hob switched off, and no amount of staring at --heat in DevTools explained it, because --heat was correctly zero the whole time. The fix is to stop fighting the animation and multiply inside it: .hob__ring { --vis: var(--heat); } .spill { --vis: calc(var(--heat) * var(--heat)); } @keyframes ringPulse { 0%, 100% { opacity: calc(0.82 * var(--vis)); } 50% { opacity: calc(1 * var(--vis)); } } Custom properties substitute live, so the keyframes pick up the new value every frame. Keep the plain declaration too — reduced motion drops the animation, and then it becomes the only thing setting opacity at all. The same rule is why the bubbles gate their opacity through --vis rather than setting it directly. Once you've been bitten, you start recognising it: the value is obviously right and the pixels obviously disagree. Going still without ever stopping Same lesson, applied to movement. The eggs need to come to rest when the boil dies. The obvious approach is to drop the animation and let a transition carry them home: .scene.is-off .egg { animation: none; } /* snaps */ It jumps. The moment the animation goes, the computed transform reverts, and the transition often has nothing to interpolate from. So the eggs never stop. Every offset in the keyframes is multiplied by --amp: 25% { transform: translate(calc(var(--dx) * 1 * var(--amp)), calc(var(--dy) * -1 * var(--amp))) rotate(calc(var(--r1) * var(--amp))); } At --amp: 0 every keyframe collapses to translate(0,0) rotate(0deg) and the egg rests exactly where left/top put it. As --amp ramps back up, the same loop simply opens out again. Nothing pauses, nothing restarts, and there's no discontinuity at either end. Two details that are the difference between water and not-water Bubbles get bigger as they rise, because pressure drops on the way up. Leaving that out was the single thing that made my first attempt look like falling snow played backwards. 0% { transform: translateY(0) scale(0.35); } 100% { transform: translateY(calc(var(--h) * -1)) scale(1.35); } Buoyancy is slow. My first easing on the eggs was springy and they read as ping-pong balls. Water doesn't throw things around, it lifts and turns them — so it's a long ease-in-out with rotation that lags the translation. Percentages don't mean what you want them to mean Late on I cropped the frame, because there was a band of empty room across the top doing no work, and because the page had grown a vertical scrollbar. The crop immediately broke the scene, and the reason is worth knowing: I had positioned the room and counter with percentages. Percentages in inset resolve against the element's height, while every other measurement in the piece is cqw — 1% of the scene's width. Change the aspect ratio and the two systems silently slide out of register. Both are cqw now. The scrollbar itself is worth a line, since it's a general problem with fixed-ratio art. Capping the width alone isn't enough; it has to be capped by the height available too: .scene { aspect-ratio: 50 / 37; width: min(100%, calc((100dvh - 15rem) * 1.35)); } At this ratio width is 1.35× height, so subtracting the caption, the button and the page padding gives the widest the scene can be and still fit on screen. Whichever limit bites first wins. One container query, zero breakpoints Every dimension is in cqw off a single container-type: inline-size. The whole picture scales to any viewport with no media queries and no magic numbers — the same approach as the other two pieces. The sprinkle of JavaScript This is the piece where the JS got smaller, and that's the point. Coming to the boil takes about nine seconds across four overlapping stages, and none of them are timed in JavaScript. The script toggles one class. Everything else is two custom properties transitioning in the stylesheet. Doing it with setTimeout was my first instinct and it's a trap: every stage becomes a timer that an impatient click can fire twice, and the stages drift apart. There's nothing to double-fire here — toggling the class mid-ramp just reverses the transitions from wherever they'd reached. The rest of the JS scatters the bubbles and steam so the boil never repeats identically. All of it is optional: every moving part has a hand-authored fallback in the stylesheet, so emptying the JS pane costs you the switch and nothing else. Accessibility CSS art is still an image, so it's marked as one — role="img" with an aria-label describing the scene, everything inside it aria-hidden. The switch is a real with aria-pressed and a label that changes with the state. prefers-reduced-motion freezes the boil at a pose that still reads as boiling, rather than at an empty one, and the switch still works — it just arrives instead of ramping. Someone who asked for less motion has not asked for less picture. What I'd tell anyone attempting one of these: if your scene has a state, make it a number rather than a boolean. Registering one custom property with @property bought me a nine-second, four-stage, physically-plausible boil out of two lines of transition — and left the JavaScript with nothing to do but toggle a class.